1
30
1136
-
https://collection.fourtoes.co.uk/files/original/d17d5d5053c551ef637dbaf99443b440.jpg
55529e9390542d1004e8f06bf8d6c90c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
Stereographs are composed of two pictures mounted next to each other, viewed with a set of lenses known as a stereoscope. Taken around 7cm apart, roughly corresponding to the spacing of the eyes, the left picture represents what the left eye would see, and likewise for the right, so when observing the pictures through a stereoscopic viewer, the pair of photographs converge into a single three-dimensional image.
Title
A name given to the resource
Stereographs
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Stereograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
ST0047
Subject
The topic of the resource
Bamboo, Rickshaw, Transport, Japan
Title
A name given to the resource
"Under the bamboo trees" - looking S.W. through the famous avenue near Kiyomizu, Kyoto, Japan.
Date
A point or period of time associated with an event in the lifecycle of the resource
1904
Publisher
An entity responsible for making the resource available
Underwood & Underwood
Type
The nature or genre of the resource
Image
Medium
The material or physical carrier of the resource.
Albumen print
Format
The file format, physical medium, or dimensions of the resource
178 mm x 89 mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Description
An account of the resource
A stereoscopic image of two rickshaws being pulled through a Bamboo avenue near Kiyomizu, Kyoto, Japan.
Bamboo
Japan
Rickshaw
Transport
-
https://collection.fourtoes.co.uk/files/original/4bce53ac9e1a42645051591e3c6a39af.jpg
d0c41454899d0771cefd932c790b75d3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0268
Title
A name given to the resource
10 Miles out of Manchester, Rostherne Mere, Cheshire.
Subject
The topic of the resource
Transport, Horse, Manchester, England
Description
An account of the resource
Lantern slide of five men in a horse drawn carriage. Labelled 10 Miles out of Manchester, Rostherne Mere, Cheshire.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
England
Horse
Manchester
Transport
-
https://collection.fourtoes.co.uk/files/original/f0510b5c27e0806b31eb823aafe3e512.jpg
e26da7652ca184b0828d26347f78da7a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0270
Title
A name given to the resource
A Kaffir family removing.
Subject
The topic of the resource
Africa, Family
Description
An account of the resource
Lantern slideshwoing an African family with their possessions. Labelled A Kaffir family removing.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Africa
Family
-
https://collection.fourtoes.co.uk/files/original/7262eef9a7919c55a4df272840a8999f.jpg
e445be766e51849072cc6ce513a8c863
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
Stereographs are composed of two pictures mounted next to each other, viewed with a set of lenses known as a stereoscope. Taken around 7cm apart, roughly corresponding to the spacing of the eyes, the left picture represents what the left eye would see, and likewise for the right, so when observing the pictures through a stereoscopic viewer, the pair of photographs converge into a single three-dimensional image.
Title
A name given to the resource
Stereographs
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Stereograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
ST0020
Subject
The topic of the resource
Building, Tree, Canada
Title
A name given to the resource
A Mountain Hamlet, Rocky Mountains, British Columbia, Canada.
Date
A point or period of time associated with an event in the lifecycle of the resource
1902
Publisher
An entity responsible for making the resource available
Underwood & Underwood
Type
The nature or genre of the resource
Image
Medium
The material or physical carrier of the resource.
Albumen print
Format
The file format, physical medium, or dimensions of the resource
178 mm x 89 mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Description
An account of the resource
A stereoscopic image of buildings in a hamlet in the Rocky Mountains, British Columbia, Canada.
Canada
Tree
-
https://collection.fourtoes.co.uk/files/original/c278c323c708e3983a54084155c783cd.jpg
a6a1c0b8fcc18d651cc41d277f362caf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
Stereographs are composed of two pictures mounted next to each other, viewed with a set of lenses known as a stereoscope. Taken around 7cm apart, roughly corresponding to the spacing of the eyes, the left picture represents what the left eye would see, and likewise for the right, so when observing the pictures through a stereoscopic viewer, the pair of photographs converge into a single three-dimensional image.
Title
A name given to the resource
Stereographs
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Stereograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
ST0065
Subject
The topic of the resource
Bicycle, Tree, Canada
Title
A name given to the resource
A picturesque Avenue in Toronto, Canada.
Date
A point or period of time associated with an event in the lifecycle of the resource
1900
Publisher
An entity responsible for making the resource available
Underwood & Underwood
Type
The nature or genre of the resource
Image
Medium
The material or physical carrier of the resource.
Albumen print
Format
The file format, physical medium, or dimensions of the resource
178 mm x 89 mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Description
An account of the resource
A stereoscopic image of a man on a bicycle on an avenue of Toronto, Canada.
Bicycle
Canada
Tree
-
https://collection.fourtoes.co.uk/files/original/236b27d5170a1268fbd675b10990cf5c.jpg
531508aa524fcddc3c6bc96f53961caa
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0017
Title
A name given to the resource
A quiet country walk.
Subject
The topic of the resource
Woods, Path
Description
An account of the resource
Lantern slide showing a walkway through trees.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Path
Woods
-
https://collection.fourtoes.co.uk/files/original/8657ce416339084aee302de7df0fa39f.jpg
b24c859dc3bb666f137fb2e84c725a33
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0243
Title
A name given to the resource
A rocky brook
Subject
The topic of the resource
Geology, Rock, Stream
Description
An account of the resource
Lantern slide of a rocky brook.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Rocks
Stream
-
https://collection.fourtoes.co.uk/files/original/73ffd7ee167ba89bdf5e1696fd982a2e.jpg
07c95ac38b93423af2b930bf9d82148e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0244
Title
A name given to the resource
A rocky brook
Subject
The topic of the resource
Geology, Rock, Stream
Description
An account of the resource
Lantern slide of a rocky brook.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Rocks
Steam
-
https://collection.fourtoes.co.uk/files/original/6b8696974eff44f555591652f4bb0b37.jpg
1899929ea0ce22df94fc6f3e879ed9e0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0066
Title
A name given to the resource
A roguish smile, Stanley Ellis.
Subject
The topic of the resource
Boy
Description
An account of the resource
Lantern slide of a boy. Labelled A roguish smile, Stanley Ellis.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Boy
-
https://collection.fourtoes.co.uk/files/original/a2ae6e80df000b834cb3f1d314549b3f.jpg
6e6443aa99006287aa5171449c2748ae
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0352
Title
A name given to the resource
A witching maiden. Zulu woman
Subject
The topic of the resource
Zulu, Woman, Africa
Description
An account of the resource
Lantern slide of a Zulu woman. Labelled A witching maiden. Zulu woman.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Africa
Woman
Zulu
-
https://collection.fourtoes.co.uk/files/original/73da679a65993d3c492e7a18ebb98bc0.jpg
be6fad53b9b8094f188282b850283223
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
Stereographs are composed of two pictures mounted next to each other, viewed with a set of lenses known as a stereoscope. Taken around 7cm apart, roughly corresponding to the spacing of the eyes, the left picture represents what the left eye would see, and likewise for the right, so when observing the pictures through a stereoscopic viewer, the pair of photographs converge into a single three-dimensional image.
Title
A name given to the resource
Stereographs
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Stereograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
ST0016
Subject
The topic of the resource
Chief, Son, Father, Blanket, Canada
Title
A name given to the resource
A young Chief and family.
Date
A point or period of time associated with an event in the lifecycle of the resource
1900
Publisher
An entity responsible for making the resource available
Underwood & Underwood
Type
The nature or genre of the resource
Image
Medium
The material or physical carrier of the resource.
Albumen print
Format
The file format, physical medium, or dimensions of the resource
178 mm x 89 mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Description
An account of the resource
A stereoscopic image of a young Chief standing to the right of his family sitting on the ground.
Blanket
Canada
Chief
Father
Son
-
https://collection.fourtoes.co.uk/files/original/59aacb0ecbcfd8978fb5f84698222aef.jpg
244ad97dc29f94f84e5dcbf602c8138a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0149
Title
A name given to the resource
Abraham and Isaac, offering of Isaac.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham and Isaac, offering of Isaac.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/2c7a2d94de60dbbed0c173167db2f26b.jpg
0cccf1504c575a4c8df2cb3b9bede676
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0150
Title
A name given to the resource
Abraham and Isaac, offering of Isaac.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham and Isaac, offering of Isaac.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/82f1898e29a2fb2184bdded1980874bb.jpg
edddd43667ea2464ef04ff5b400a1ef9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0155
Title
A name given to the resource
Abraham and Isaac.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham and Isaac.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Religious
-
https://collection.fourtoes.co.uk/files/original/737b669667e71aef0e4efa1779108690.jpg
870e335e18594e2c309bfc0a715dc891
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0156
Title
A name given to the resource
Abraham and Isaac.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham and Isaac.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/13c61efe8aa800d594809a3bd3db665a.jpg
682110d575aed52f151e002966bf994d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0157
Title
A name given to the resource
Abraham and Isaac.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham and Isaac.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/6378da099dd3db1043899e1b1d22a7b0.jpg
40acc06f1d479e9c04bfca748a615acb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0148
Title
A name given to the resource
Abraham, The three Angels.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham, The three Angels.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/08481ac06ce6e397f0c7a4c7ee56779f.jpg
b7790003d649162fc55eb5c4a68f54f3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0055
Title
A name given to the resource
Albert Booker, Swimmer, Park Swimming Club.
Subject
The topic of the resource
Sport, Swimming, Man
Description
An account of the resource
Lantern slide of Albert Brooker, Swimmer, Park Simming Club.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Man
Sport
Swimmer
Swimming
Trophy
-
https://collection.fourtoes.co.uk/files/original/b0939757d1c54d5043ab0a407b7123e4.jpg
38d14b056835a59c2289de848dbbee13
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0125
Title
A name given to the resource
Ambrotype a woman and child
Description
An account of the resource
Ambrotype of a woman and child. Colour to clothing and gold details. Movement in subject. Partial mount.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Ninth Plate
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/9c54b58f405cf109dbfe7f37eb8cf57f.jpg
b0ea4f3762e20a6f655c1f29cad15237
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0122
Title
A name given to the resource
Ambrotype a young girl
Description
An account of the resource
Ambrotype of a young girl standing with a bonnet on the chair. Red colour to carpet and flowers. Brown swirl glass, partial mount.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Ninth Plate
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/5685428b045097a4ef64a8ff7c60fd44.jpg
00e1ac95083d25f8a2a04cc0f808ef77
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0124
Title
A name given to the resource
Ambrotype a young man
Description
An account of the resource
Ambrotype of a young man seated at a table. Flowers in a vase. Embroidered detail to leg of trousers. No case.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Ninth Plate
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/73a425af3cdc986c15751fb7df81d4c6.jpg
dc4da7fcbe980e58f72525206eed6fd3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0167
Title
A name given to the resource
Ambrotype a young man
Description
An account of the resource
Ambrotype of young man seated. Full case with ornate brass clasp.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Sixth Plate
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/9c0746840be2f57271a7fa58aae97890.jpg
3484acbacf8565a753f929e34ebf4e93
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0146
Title
A name given to the resource
Ambrotype broach of a young man
Description
An account of the resource
Ambrotype of a young man set into a rotating broach. An ambrotype of a young woman to the reverse (AM0147). Poor condition.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Jewellery
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/00c72006066dd43aaf16892707f8caad.jpg
8e862e13020fcd150e882ce062e6b86b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0145
Title
A name given to the resource
Ambrotype broach of a young woman
Description
An account of the resource
Ambrotype of a woman seated leaning on a table with book in hand. Photo broach to neck. Gold detailing. Set into a pinchbeck broach, mount missing, reverse empty.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Jewellery
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/4a601a145d860cc19b11a8297675484c.jpg
38a8951ffbb38d3b5622823f147c8f5d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0147
Title
A name given to the resource
Ambrotype broach of a young woman
Description
An account of the resource
Ambrotype of a young woman set into a rotating broach. An ambrotype of a young man to the reverse (AM0146). Poor condition.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Jewellery
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/889f410cb4b5bf7563eff66a312ca8f7.jpg
9be75dcef33049f0108b6c82b357dc3e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0148
Title
A name given to the resource
Ambrotype broach of a young woman
Description
An account of the resource
Ambrotype of a young woman set into a rotating broach. An ambrotype of a young woman to the reverse (AM0149). Poor condition.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Jewellery
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/4cc257c36281595b159535013326ce20.jpg
9ac7dbd38d1c403828d9cca5db91a0fe
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0149
Title
A name given to the resource
Ambrotype broach of a young woman
Description
An account of the resource
Ambrotype of a young woman set into a rotating broach. An ambrotype of a young woman to the reverse (AM0148). Poor condition.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Jewellery
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/d946fda98f910078fe6f43d2ebe9b87d.jpg
49101eefb3350cce9b30c4af12d23f78
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0011
Title
A name given to the resource
Ambrotype of a bearded older man
Description
An account of the resource
Half case ambrotype of a bearded older man.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Sixth Plate
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/1c194339f4829ff265b217281331717e.jpg
627f211f8ee1efbc0214e87bc2cb4314
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0039
Title
A name given to the resource
Ambrotype of a bearded young man
Description
An account of the resource
Ambrotype of a bearded young man sitting. Framed for wall hanging.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Sixth Plate
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase
-
https://collection.fourtoes.co.uk/files/original/d82b71167134bb859c9d222629501684.jpg
414f69e6aaef48497c49608262b35b46
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ambrotypes
Description
An account of the resource
Also known as a Collodion positive on glass.
The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes.
The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Ambrotype
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AM0135
Title
A name given to the resource
Ambrotype of a boy and girl at the seaside
Description
An account of the resource
Ambrotype of a boy and girl at the Seaside. The bucket has some letters which make it out to be Scarborough. No case.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
Sixth Plate
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Ebay
Accrual Method
The method by which items are added to a collection.
Purchase