7 30 1136 https://collection.fourtoes.co.uk/files/original/cc4a89db09c1ccb6bf8286dd74330942.jpg cab46f50f2cb5d98c694ddbee0b6d84c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0170 Title A name given to the resource Ambrotype of Mrs Dunbull Description An account of the resource Ambrotype of Mrs Dunbull, taken expressly for my only Child Emily. 1856 Boston, Massachusetts,United States. Manuscript to reverse of the frame. Cutting Patent process. Damage to emulsion. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 5x4 inch Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ebay Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/37a9c61e16d857dc9b27efd079881bd0.jpg 57a19988d4e574aadaf0276fd5aa35c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0091 Title A name given to the resource Ambrotype of Mrs Leigh Description An account of the resource Ambrotype of Mrs Leigh, September 20th, 1860 on reverse. Sealed frame. L.R.CONCONI’s Photographic Studio label. No.1 Fort Hill, Margate. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Half Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ebay Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/b4b46fd9b533116d8245d45d3ed5c535.jpg 4a666573bb4af745efc2d343f4eb2ed1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0026 Title A name given to the resource Ambrotype of old man Description An account of the resource Ambrotype of an old man sitting in an overcoat. Wooden can in hand, Gold jewellery. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Sixth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ebay Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/5a53f7b53857ce288bf9a181b7881c36.jpg 2b53e12f35e10a97535a8e9f06d6f4fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0046 Title A name given to the resource Ambrotype of three men Description An account of the resource Ambrotype of three men with walking canes. Embroidered white leather reverse pattern. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Quarter Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Janet Liddell Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/0946834e356a7d079e8151f619328dcf.jpg 3e29d748df6912dd02ecdc56fbd4cf75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0085 Title A name given to the resource Ambrotype of three young women Description An account of the resource Ambrotype of three young women. One seated. Ornate frame. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Quarter Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Janet Liddell Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/c919183b95fb2b3ef53772863cc24f20.jpg 646d8e20112f815603f0080019d62ad0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0008 Title A name given to the resource Ambrotype of two boys at the seaside Description An account of the resource Half case framed ambrotype of two boys at the seaside with fishing nets. Purchased as part of a lot. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Sixth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Auction House Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/23fc432e3def5bf7d0a8c919f6fc4eb9.jpg 80cd4fc5a4991705a7faca0d1fb8e7ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0078 Title A name given to the resource Ambrotype of two men Description An account of the resource Ambrotype of two men in bowler hats. Plate has deteriorated. Matt frame. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Sixteenth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Janet Liddell Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/fe0d1479c0973cea2fa131f499e01789.jpg 53d3abe00bbbc8167d7fe0e28a7e8f81 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0071 Title A name given to the resource Ambrotype of two women Description An account of the resource Ambrotype of two young women. One seated the other with hand on her shoulder. Some tinting and gold applied. Matt frame. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Sixth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Janet Liddell Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/8d4c8439c44997668316c7f208b3625a.jpg cad4d0751f87e61c9621f908090a405f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0160 Title A name given to the resource Ambrotype of two women Description An account of the resource Ambrotpe of two women seated together. Book in hand and on tabletop. Some colour and gold applied to jewellery. Scratched plate but highly detailed. No case. Format The file format, physical medium, or dimensions of the resource Quarter Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ebay Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/b08661293ff31f7fe8ab90d717528007.jpg 01fc94cdb8d8abc67fa33c186f9d8899 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0083 Title A name given to the resource Ambrotype of two young girls Description An account of the resource Ambrotype of two young girls possibly sisters. Some tinting. Framed. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Sixth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ebay Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/9ffd57384248da31f4dd87b2fedcd211.jpg 722b64ef551666e9ac54fa64026674e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0076 Title A name given to the resource Ambrotype of two young men Description An account of the resource Ambrotype of two young men. Some gold applied. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Sixth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Janet Liddell Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/e5aba19a001d766ec82c7e7125a0cc05.jpg 7a22589d4eb6c027dba17ff170be2a8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0003 Title A name given to the resource Ambrotypes of a couple Description An account of the resource Double cased ambrotypes of a man and woman. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Ninth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ebay Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/1599ceb3efcda3f620641030fe042cf8.jpg 73ea52bed1022caa667f61c611011215 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0055 Title A name given to the resource Ambrtoype of a woman Description An account of the resource Ambrotype of a woman in a bonnet. Some tinting. Wrap around clasped cased. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Sixteenth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Janet Liddell Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/ac5d9075c42721eb7d211c7022221aee.jpg 9cecb0e64fc23559b9ddc0b797100fa4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0053 Title A name given to the resource Ambrtoype of a young man Description An account of the resource Ambrotype of a young man seated. Large lapel badge “MR31”. Some tinting. Matt frame. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Ninth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Janet Liddell Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/ebd00eda0bb1059778347320bf2c573c.jpg fec63cc5ba335571acb1c9526bf66229 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0047 Title A name given to the resource Ambrtoype of a young woman Description An account of the resource Ambrotype of a young woman in a wrap around clasped case. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Sixteenth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Janet Liddell Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/44bf4db0ccfa7608d82f4dd18912e5aa.jpg 830733045478b9f194eb3547f40843fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0051 Title A name given to the resource Ambrtoype of an older man Description An account of the resource Ambrotype of an older man. Slightly soft focus. Matt frame. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Ninth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Janet Liddell Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/06acb3ac6a14dc4b862c1366e5624ddc.jpg 765f53657f4ea55b7127be34e7b456dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0054 Title A name given to the resource Ambrtoype of an older woman Description An account of the resource Ambrotype of an older woman in a bonnet. Matt frame. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Ninth Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Janet Liddell Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/4ddeaf3960806ed8803573c65ebf35fb.jpg 7c9efaf291f93f7a5cc359574fb5d378 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ambrotypes Description An account of the resource Also known as a Collodion positive on glass. The ambrotype is an under-exposed wet collodion negative on glass that appears positive due to the presence of a dark backing or use of dark glass support. In most instances, the image is varnished and placed in a case for safe-keeping. 19th century ambrotypes were displayed in miniature cases just like daguerreotypes. The “common ambrotype” is a clear glass support backed with a dark piece of textile, metal, secondary glass or paper, or painted directly onto the back of the image. The “ruby ambrotype” is printed onto a dark glass support that is red when viewed in transmitted light Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ambrotype Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AM0112 Title A name given to the resource Ambrtoypes of an older man and woman Description An account of the resource Two ambrotypes of an older man and woman. Wrap around case, damaged. Plates in poor condition. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Quarter Plate Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ebay Accrual Method The method by which items are added to a collection. Purchase https://collection.fourtoes.co.uk/files/original/de6dc09903e7af3e3f53219dbe8784a7.jpg ebec8797aea5990d0b46c74d56a28f16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0332 Title A name given to the resource Ambulance trip to Roche Abbey. Subject The topic of the resource Abbey, England Description An account of the resource Lantern slide of building in the grounds of Roche Abbey. Labelled Ambulance trip to Roche Abbey. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Abbey England https://collection.fourtoes.co.uk/files/original/cd318f4821f4fd1f41c60cb53712d158.jpg e2892df5c95afd0ee4b9ac531538115a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Stereographs are composed of two pictures mounted next to each other, viewed with a set of lenses known as a stereoscope. Taken around 7cm apart, roughly corresponding to the spacing of the eyes, the left picture represents what the left eye would see, and likewise for the right, so when observing the pictures through a stereoscopic viewer, the pair of photographs converge into a single three-dimensional image. Title A name given to the resource Stereographs Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Stereograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ST0038 Subject The topic of the resource River, Tree, Boat, Canada Title A name given to the resource Amidst the Island Gems which adorn the St. Lawrence, Thousand Islands. Date A point or period of time associated with an event in the lifecycle of the resource 1900 Publisher An entity responsible for making the resource available Underwood & Underwood Type The nature or genre of the resource Image Medium The material or physical carrier of the resource. Albumen print Format The file format, physical medium, or dimensions of the resource 178 mm x 89 mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Description An account of the resource A stereoscopic image of two women and a man in a boat on the Saint Lawrence river, Thousand Islands. The Thousand Islands constitute an archipelago of 1,864 islands that straddles the Canada–US border in the Saint Lawrence River as it emerges from the northeast corner of Lake Ontario. Boat Canada River Tree https://collection.fourtoes.co.uk/files/original/978eeb2679fae840ce8784253ccfaa84.jpg 15ca7f7eefa27b10b823feed287fb2b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0001 Title A name given to the resource Ample proportions, Zulu woman. Subject The topic of the resource Zulu, Woman, Africa Description An account of the resource Lantern slide showing a partially clothed Zulu woman. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Africa Woman Zulu https://collection.fourtoes.co.uk/files/original/f3014e202d44d3196062c4a69691f4bd.jpg 701c6877edb0d03d7fa20a95179d7aa0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0109 Title A name given to the resource An elephantine beauty. Zulu woman. Subject The topic of the resource Zulu, Woman, Africa Description An account of the resource Lantern slide of a Zulu woman. Labelled An elephantine beauty. Zulu woman. Makers Label A.F.Jewers, 41 Torrington Place, Plymouth. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Africa Woman Zulu https://collection.fourtoes.co.uk/files/original/242f65db8f419b8d15c16591e3be0682.jpg 0abc1cbb9a6a5ae61bda832ab43f97e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Stereographs are composed of two pictures mounted next to each other, viewed with a set of lenses known as a stereoscope. Taken around 7cm apart, roughly corresponding to the spacing of the eyes, the left picture represents what the left eye would see, and likewise for the right, so when observing the pictures through a stereoscopic viewer, the pair of photographs converge into a single three-dimensional image. Title A name given to the resource Stereographs Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Stereograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ST0074 Subject The topic of the resource Fishing, Waterfall, River, Canada Title A name given to the resource Another Sucker Hooked - fishing at Bala Falls, Muskoka, Canada. Date A point or period of time associated with an event in the lifecycle of the resource 1901 Publisher An entity responsible for making the resource available Underwood & Underwood Type The nature or genre of the resource Image Medium The material or physical carrier of the resource. Albumen print Format The file format, physical medium, or dimensions of the resource 178 mm x 89 mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Description An account of the resource A stereoscopic image of a man fishing from the rocks at Bala Falls, Muskoka, Canada. Canada Fishing River Waterfall https://collection.fourtoes.co.uk/files/original/b627426eee9ba4fb99f0dba389b2db77.jpg b11eacf28ca990156c85ca1e6d93597b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0292 Title A name given to the resource Arch de Triumph, Paris, France. Subject The topic of the resource Arch de Triumph, Paris, France Description An account of the resource Lantern slide of the Arc de Triumph, Paris, France. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift France Paris https://collection.fourtoes.co.uk/files/original/9f6293f03a8c0ed8fad8ad137ddc719d.jpg 5891e75e934627b07e1a89b0fefacc86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0080 Title A name given to the resource Aston Villa Football Club 1908-9 Subject The topic of the resource Sport, Football, Man Description An account of the resource Lantern slide of Aston villa Football Club team 1908-09 Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Aston Villa Football Man Sport Trophy https://collection.fourtoes.co.uk/files/original/1c909fbe81a8002b37420b4e73ae6813.jpg 3d262e4bd198a2461c43bb25cbe11547 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Stereographs are composed of two pictures mounted next to each other, viewed with a set of lenses known as a stereoscope. Taken around 7cm apart, roughly corresponding to the spacing of the eyes, the left picture represents what the left eye would see, and likewise for the right, so when observing the pictures through a stereoscopic viewer, the pair of photographs converge into a single three-dimensional image. Title A name given to the resource Stereographs Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Stereograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ST0012 Subject The topic of the resource Mountain, Climbing, Canada Title A name given to the resource At the Base of Mt. Stephen, Field, British Columbia, Canada. Date A point or period of time associated with an event in the lifecycle of the resource 1900 Publisher An entity responsible for making the resource available Underwood & Underwood Type The nature or genre of the resource Image Medium The material or physical carrier of the resource. Albumen print Format The file format, physical medium, or dimensions of the resource 178 mm x 89 mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Description An account of the resource A stereoscopic image of a man with walking stick stands at the Base of Mt. Stephen, Field, British Columbia, Canada. Canada Climbing Mountain https://collection.fourtoes.co.uk/files/original/1e05ee70c37b2c6bdb9a764927c47e4e.jpg fdbc41cd21ace116f986432775bdd525 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Stereographs are composed of two pictures mounted next to each other, viewed with a set of lenses known as a stereoscope. Taken around 7cm apart, roughly corresponding to the spacing of the eyes, the left picture represents what the left eye would see, and likewise for the right, so when observing the pictures through a stereoscopic viewer, the pair of photographs converge into a single three-dimensional image. Title A name given to the resource Stereographs Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Stereograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ST0067 Subject The topic of the resource Glacier, Climbing, Canada Title A name given to the resource At the Base of the Great Glacier, Laggan, Alberta, Canada. Date A point or period of time associated with an event in the lifecycle of the resource 1900 Publisher An entity responsible for making the resource available Underwood & Underwood Type The nature or genre of the resource Image Medium The material or physical carrier of the resource. Albumen print Format The file format, physical medium, or dimensions of the resource 178 mm x 89 mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Description An account of the resource A stereoscopic image of a man looking up the Great Glacier with ice pick in hand. The great Glacier, Laggan, Alberta, Canada. Laggan is now Lake Louise, and was a station along the Canadian Pacific Railway route. It was built in 1890. Canada Climbing Glacier https://collection.fourtoes.co.uk/files/original/c6fa35ba278ed2fe6729a156aec29854.jpg 1c1ee81f05685fa3b0034b0fe6a53619 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0323 Title A name given to the resource Attercliffe Common at the close of the 18th Century. Subject The topic of the resource Reproduction, England Description An account of the resource Lantern slide of a reproduction of a veiw of Attercliffe Common at the close of the 18th Century, Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Reproduction https://collection.fourtoes.co.uk/files/original/352bf89a6588ebcbbd377e515ebda3bb.jpg 4e41e8cc35099259f675c3869c5dd055 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0035 Title A name given to the resource Attercliffe Photographic Society, Burbage, Out to. Subject The topic of the resource Men, Photography, England Description An account of the resource Lantern slide of men standing in woodland. Labelled Attercliffe Photographic Society, Burbage, Out to. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Man Photography Woods https://collection.fourtoes.co.uk/files/original/9281f5150dac2697d2093a34f0a1d691.jpg 6b8c2a38b20e24cd42221afa001c397b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0116 Title A name given to the resource Attercliffe Swimming Club, Corporation Cup Winners, 1910. Subject The topic of the resource Sport, Swimming, Swimmer, England Description An account of the resource Lantern slide of a group of simmers in costumes. Labelled Attercliffe Swimming Club, Corporation Cup Winners, 1910. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Backdrop England Man Swimmer Swimming Trophy