4 30 1136 https://collection.fourtoes.co.uk/files/original/c16a5d1883014cd4b85d8cd523239645.jpg 68aaa5db7aacad628d0b93b0125afe5b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0011 Title A name given to the resource Pillar remains Subject The topic of the resource Pillar Description An account of the resource Lantern slide whowing the remains of a Pillar. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Pillar Ruin https://collection.fourtoes.co.uk/files/original/aaab5b6cd139f420ea204fa8822748a9.jpg 08ca947e4583ca8b82507131a0e8573f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0012 Title A name given to the resource Long may she reign Subject The topic of the resource Royalty, Queen Victoria, Illustration Description An account of the resource Colour lantern slide showing an illustration of God Save the Queen. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Colour Illustration Queen https://collection.fourtoes.co.uk/files/original/bac2dacb3ae537c3ab7f8464db0be06f.jpg 2dab2a0e1bf6463c4e3d8f231bf42ba4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0013 Title A name given to the resource Birch and Bracken Subject The topic of the resource Woods Description An account of the resource Lantern slide showing a view Birch and Bracken. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Woods https://collection.fourtoes.co.uk/files/original/a9f6a47239d6c035c37547220a1d6260.jpg 6f1996545be6d6a09d51299a9d96b3c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0014 Title A name given to the resource Lord Street Blackpool, Group, July 1910. Subject The topic of the resource People, Window, Bench, Blackpool, England Description An account of the resource Lantern slide showing a group of people posing outdoors in fron of a window. Adults and children some seated. Labelled Lord Street Blackpool, Group, July 1910. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Blackpool Children England Man People Sitting Window Woman https://collection.fourtoes.co.uk/files/original/bd2ad1ab4dd14dc33c07a37df6fcdfae.jpg eaa479a2591c87f2d913b7843ca813fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0015 Title A name given to the resource Kings Swans, Whiteley Woods, Subject The topic of the resource Woods, Birds, Lake, Sheffield, England Description An account of the resource Lantern slide showing three children and a man looking at swans at Whiteley Woods, Sheffield, England. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Boy England Man Pond Sheffield Swan Woods https://collection.fourtoes.co.uk/files/original/a9c87e228bbb65a5a419116a8ff6e655.jpg 20aabc2e66ec69d8f485d7636b02675d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0016 Title A name given to the resource Birch and Bracken, Tinsley Park Woods. Subject The topic of the resource Woods, Sheffield, England Description An account of the resource Lantern slide showing Birch and Bracken in Tinsley Park Woods, Sheffield, England. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Sheffield Woods https://collection.fourtoes.co.uk/files/original/236b27d5170a1268fbd675b10990cf5c.jpg 531508aa524fcddc3c6bc96f53961caa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0017 Title A name given to the resource A quiet country walk. Subject The topic of the resource Woods, Path Description An account of the resource Lantern slide showing a walkway through trees. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Path Woods https://collection.fourtoes.co.uk/files/original/d89346248546b7719234fd86f136968a.jpg d654b51376b6d81ee243087d96914fa9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0018 Title A name given to the resource Hillsborough Subject The topic of the resource People, Children, England Description An account of the resource Lantern slide showing adults and children in a park at waters edge. Labelled Hillsborough. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Children England Man Park Pond https://collection.fourtoes.co.uk/files/original/67f6d207955ecc64c4b4470fd88e7f02.jpg f95fb643ddd657f97399f163ddaf4b05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0019 Title A name given to the resource Three legged birch, Tinsley Park Wood. Subject The topic of the resource Woods, Sheffield, England Description An account of the resource Lantern slide showing a three legged birch in Tinsley Park Woods, Sheffield, England. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Sheffield Woods https://collection.fourtoes.co.uk/files/original/ae406af041494e60177f299333b4d43b.jpg 0d998d8b60874ca57a14c0d0be9dc3ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0020 Title A name given to the resource Fox Hound - Volatile Subject The topic of the resource Dog, Wall Description An account of the resource Lantern slide showing a dog sitting against a brick wall. Labelled "Ventnor" Fox hound sold for 120 Guinees. Name changed o Volatile. Photographed by F.J.Liversidge Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Brick Dog Hound Wall https://collection.fourtoes.co.uk/files/original/e1164c2e0751c55fde9484b2627c25c2.jpg e596f2c4d5b3c2f0ef69097e51fbd178 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0021 Title A name given to the resource Greeba Castle, Hall Cains Residence. Subject The topic of the resource Castle, Isle of Man, England Description An account of the resource Lantern slide whowing steps and balustrade of Greeba Castle. Labelled Hall Cains Residence. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Bench Castle England Isle of Man https://collection.fourtoes.co.uk/files/original/e804b3c268ad423552f9861f242c3a0c.jpg 7f5aba01b596658aa8e188b1ca131524 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0022 Title A name given to the resource Ponies on Promenade at Blackpool, July 1908. Subject The topic of the resource Ponies, Promenade, Blackpool, England Description An account of the resource Lantern slide showing ponies being led across Blackpool beach. Labelled July 1908. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Beach Blackpool England Horse Man Pony https://collection.fourtoes.co.uk/files/original/29139e1039af56c3fd639c328fdc3354.jpg 594ddb423912651751fb94434e9eb91d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0023 Title A name given to the resource Reminisences of the Ambulance, Trip to Roche Abbey 17th July 1909 Subject The topic of the resource Abbey, People, England Description An account of the resource Lantern slide showing a group of people, adults and children at Roche Abbey. Labelled Reminisences of the Ambulance, Trip to Roche Abbey 17th July 1909 Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Abbey Boy Children England Girl Man Ruin Woman https://collection.fourtoes.co.uk/files/original/870e934401b690c53b8ce76fa89a7433.jpg f706b40245211bd2e02506120017999c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0024 Title A name given to the resource Fox Hounds Subject The topic of the resource Dog, Man Description An account of the resource Lantern slide showing a group of Fox Hounds with a man, buildings in distance. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Dog Hound Man https://collection.fourtoes.co.uk/files/original/b40cbb61c11d113bcb0930842bd81c78.jpg 0595de1476f3312aaf13b406c687f614 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0025 Title A name given to the resource Sheffield Woods, Tinsley Park Woods. Subject The topic of the resource Woods, Sheffield, England Description An account of the resource Lantern slide showing Tinsley Park Woods. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Sheffield Woods https://collection.fourtoes.co.uk/files/original/228ea9aafb2f47bb65d3ec07076cc21b.jpg ae86a8298f872271b06f3fae4aea686a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0026 Title A name given to the resource Canal and Bridge Subject The topic of the resource Canal, Transport, Bridge Description An account of the resource Lantern slide showing a canal and bridge. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Bridge Canal Transport https://collection.fourtoes.co.uk/files/original/374084a5c325991cd5fd9dee75241605.jpg c3fd7cb05fbba0c551c1db91e5edeb46 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0027 Title A name given to the resource J. Guite on board. Subject The topic of the resource Man, Transport Description An account of the resource Lantern slide showing a man seated on board a vessel. Labelled J. Guite on board. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Man Transport Travel https://collection.fourtoes.co.uk/files/original/0afd7956815bf28cdf20bd704399b4cd.jpg f777c19eed21ccd2a011f93454ed9b59 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0028 Title A name given to the resource King Edward VII Subject The topic of the resource Royalty, King Description An account of the resource Lantern slide of King Edward VII in uniform. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift King Royalty Uniform https://collection.fourtoes.co.uk/files/original/949bfd0d369752aa802fddeb267c85b3.jpg dc4c844d53aff8b358f738cab7d51918 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0029 Title A name given to the resource Footballer Subject The topic of the resource Sport, Football, Man Description An account of the resource Lantern slide of a man in football kit. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Football Man Sport https://collection.fourtoes.co.uk/files/original/6bce8d8aa2724b5814fb4a2c82c20f47.jpg 05112cec319fc19ca91dfba78a5a4d40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0030 Title A name given to the resource Thatched cottage, Thimbleby Subject The topic of the resource Thatched, Cottage, England Description An account of the resource Lantern slide showing a Thatched cottage. Labelled Thatched cottage, Thimbleby Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Cottage England Thatched Tree https://collection.fourtoes.co.uk/files/original/de7290c2155bba6306794a715780b6d8.jpg ad8d2822d91ddab06dd3e916f3c00365 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0031 Title A name given to the resource Seated woman with flowers outdoors. Subject The topic of the resource Woman, Flowers Description An account of the resource Lantern slide of a woman sitting outdoors holding flowers. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Fence Flowers Woman https://collection.fourtoes.co.uk/files/original/3b334994f536b756fbffe0b1492f81c0.jpg 3e72d34819b45b178abaa41b2d50944e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0032 Title A name given to the resource F. Liverbridge and J. Hatt, Ambulance Trip, Snapshot in the shade on a dull day. Subject The topic of the resource Men Description An account of the resource Lantern slide of two men outdoors. Labelled F. Liverbridge and J. Hatt, Ambulance Trip, Snapshot in the shade on a dull day. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Man https://collection.fourtoes.co.uk/files/original/e58c0f5e4f38202f84dfcbfe352ff719.jpg 25b453286856b64cae601748836a79ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0033 Title A name given to the resource Preperation for tea, Roche Abbey, S.H. Burrows, Ambulance Trip. Subject The topic of the resource Men, Abbey, England Description An account of the resource Lantern slide of men outdoors. Labelled Preperation for tea, Roche Abbey, S.H. Burrows, Ambulance Trip. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Abbey England Man https://collection.fourtoes.co.uk/files/original/beba4ac086c87ee6fd52ef2d8cfa1276.jpg c448caed32d969bcf3576e32f00280ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0034 Title A name given to the resource Big Wheel entrance, Coronation Street, Blackpool. Subject The topic of the resource Great Wheel, Blackpool, England Description An account of the resource Lantern slide of the Big Wheel entrance. Labelled Coronation Street, Blackpool. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Blackpool England Entertainment Great Wheel https://collection.fourtoes.co.uk/files/original/352bf89a6588ebcbbd377e515ebda3bb.jpg 4e41e8cc35099259f675c3869c5dd055 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0035 Title A name given to the resource Attercliffe Photographic Society, Burbage, Out to. Subject The topic of the resource Men, Photography, England Description An account of the resource Lantern slide of men standing in woodland. Labelled Attercliffe Photographic Society, Burbage, Out to. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Man Photography Woods https://collection.fourtoes.co.uk/files/original/d95a3fd4164e098cdfd2d79b5338db39.jpg 4c4d92f107c7cbf78e7a4c11a156990f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0036 Title A name given to the resource Gossip, Roche Abbey, Mr J. Hatt and Mr J. Dimberline. Subject The topic of the resource Men, Gate, Abbey, England Description An account of the resource Lantern slide of two men leaning on a gate. Labelled Gossip, Roche Abbey, Mr J. Hatt and Mr J. Dimberline. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Abbey England Gate Man https://collection.fourtoes.co.uk/files/original/4506084a6ec8432c5dcf6c52c96bba19.jpg 67b0a1259702edaa533f3769e2703916 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0037 Title A name given to the resource Large group of people. Subject The topic of the resource People Description An account of the resource Lantern slide of a large group of people outdoors. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift People https://collection.fourtoes.co.uk/files/original/b712f917c82b4eb183eae2eb4d8bde32.jpg e1c0e6058d9b17afc42af0025e745950 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0038 Title A name given to the resource On the beach. Subject The topic of the resource Children, Beach, Description An account of the resource Lantern slide of three children digging the sand on the beach. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Beach Boy Children Girl Sand https://collection.fourtoes.co.uk/files/original/6bae964e8a3b69ae3fdf14dd688148c1.jpg bdaf475d2d49d1af57901eadda58a31d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0039 Title A name given to the resource House Subject The topic of the resource House, Woods Description An account of the resource Lantern slide of a house with trees. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift House Woods https://collection.fourtoes.co.uk/files/original/995cc88c6e1f93b1b3954aee9d8660c9.jpg 8cb8c13a1d81ad26e94bae2de00d5fae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0040 Title A name given to the resource Groudle Glen Subject The topic of the resource Children, Isle of Man, England Description An account of the resource Lantern slide of children at Groudle Glen, Isle of Man. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Children England Isle of Man