38 30 1136 https://collection.fourtoes.co.uk/files/original/2f8a1f1cfbf664c5c68044dacfd90f7c.jpg 7e86c4b296db7f0d3d68b0c4dc4e0b0f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0137 Title A name given to the resource Waterfalls. Subject The topic of the resource Waterfall Description An account of the resource Lantern slide of waterfalls. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Rocks Waterfall https://collection.fourtoes.co.uk/files/original/7ad6d792210841f0a9080e0cdbb0aafc.jpg 2ce3825d80c220ef19433e00c6949b67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0160 Title A name given to the resource Whats for Dinner Sir? Mary, 67 Coronation Street, Blackpool. Subject The topic of the resource Woman, House, England Description An account of the resource Lantern slide of a woman outside a building numbered 67. Labelled Whats for Dinner Sir? Mary, 67 Coronation Street, Blackpool. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England House Woman https://collection.fourtoes.co.uk/files/original/1a2d72d045df62bfc9e36996c597bf8e.jpg d2a7ab971bb01f572ab1694d62c1f326 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Stereographs are composed of two pictures mounted next to each other, viewed with a set of lenses known as a stereoscope. Taken around 7cm apart, roughly corresponding to the spacing of the eyes, the left picture represents what the left eye would see, and likewise for the right, so when observing the pictures through a stereoscopic viewer, the pair of photographs converge into a single three-dimensional image. Title A name given to the resource Stereographs Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Stereograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ST0011 Subject The topic of the resource Military, Soldier, War, Africa, Firearm. Title A name given to the resource When the Cannon's roar is still - sleeping by their arms (Dec. 30th) before Colesberg, South Africa. Date A point or period of time associated with an event in the lifecycle of the resource 1900 Publisher An entity responsible for making the resource available Underwood & Underwood Type The nature or genre of the resource Image Medium The material or physical carrier of the resource. Albumen print Format The file format, physical medium, or dimensions of the resource 178 mm x 89 mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Description An account of the resource A stereoscopic image of Troops sleeping in rows with firearms at feet, watched over by guards. Africa Boer Firearm Firearm. Military Soldier War https://collection.fourtoes.co.uk/files/original/cdf06fed6a6d616ad633bd2bde6418c7.jpg f8128cf3dbcb0d821cc731d807f287eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0128 Title A name given to the resource Whiteley Woods, Grinding Wheel. Subject The topic of the resource Woods, Snow, England Description An account of the resource Lantern slide of the gridning wheel in Whiteley Woods. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Snow Woods https://collection.fourtoes.co.uk/files/original/9a84a3b39c19caf6a89044d903c163f8.jpg 22c0b02ec289210c7c68cd88f5b29914 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0052 Title A name given to the resource Whiteley Woods, Winter. Subject The topic of the resource Snow, Woods, Sheffield, England Description An account of the resource Lantern slide showing a stream in Whiteley Woods in Winter with snow. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England River Sheffield Snow Woods https://collection.fourtoes.co.uk/files/original/43778d5d3c092460b5d58b1bc63e43cc.jpg 0b4d4e01f29a5d156e2f59fc96e44f88 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0048 Title A name given to the resource Whiteley Woods. Subject The topic of the resource Woods, Stream, Sheffield, England Description An account of the resource Lantern slide showing a vie of Whitely Woods. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Sheffield Stream Woods https://collection.fourtoes.co.uk/files/original/8a3173e85e833bbb958cc17972af245f.jpg 0db0952df6f9e31852b3065ee31b3eb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0299 Title A name given to the resource Whiteley Woods. Subject The topic of the resource Woods, Season, Snow, England Description An account of the resource Lantern slide of a building in Whiteley Woods in Winter. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Snow Woods https://collection.fourtoes.co.uk/files/original/a905c1f71a918f70358308553e57cb3f.jpg db3c3b3d3d0bed08099b5d4bd57f2b5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0125 Title A name given to the resource Whiteley Woods. Winter. Subject The topic of the resource Bridge, Snow, Woods, England Description An account of the resource Lantern slide of stone bridge at Whiteley Woods in snow. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Bridge England River Snow Woods https://collection.fourtoes.co.uk/files/original/8df72d803cdae11035b528fbfc3f1d1b.jpg 174c95b86230c60025ec8d64493a012f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0115 Title A name given to the resource Wilks Ice cream, Whit Monday 1912. Subject The topic of the resource Business, Delivery, Ice Cream, England Description An account of the resource Lantern slide of an ice cream cart and customers. Labelled Wilks Ice cream, Whit Monday 1912. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Business Cart Children Delivery England Ice Cream Man Terrace Woman https://collection.fourtoes.co.uk/files/original/2b9c7f0985c5952809c01ed3b65de33e.jpg 2798e46565bb07c3d82db64baed18ef4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0313 Title A name given to the resource Wishing well, Roche Abbey, Ambulance Trip 1910. Subject The topic of the resource Abbey, England, Well Description An account of the resource Lantern slide of a man and woman at the wishing well at Roche Abbey. Labelled Ambulance Trip 1910 Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Abbey England Well https://collection.fourtoes.co.uk/files/original/264cfcd92ca2af23175d88377793755f.jpg 096e57db44e65b61f373eefd03cbb92f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0146 Title A name given to the resource Wolfinden Convalescent Homes, Whiteley Woods. Subject The topic of the resource Woods, Hospital, England Description An account of the resource Lantern slide of view of Wolfinden Convalescent Homes, Whiteley Woods. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Hospital Woods https://collection.fourtoes.co.uk/files/original/d16716176116e12f7e727f324a56b1ac.jpg abb3dbfb1db6ebfe8320277cb06f65e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0042 Title A name given to the resource Woodland bridge. Subject The topic of the resource Woods, Bridge Description An account of the resource Lantern slide of a woodland and bridge. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Bridge Woods https://collection.fourtoes.co.uk/files/original/bcdc63096322028ecec8888b3ecb1435.jpg 93d7330413361854101f96723eca7e2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0046 Title A name given to the resource Woodland river. Subject The topic of the resource River, Woods Description An account of the resource Lantern slide showing a woodland river. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift River Woods https://collection.fourtoes.co.uk/files/original/5f86a9385f664b0f492dd452f1b2312f.jpg a33789da6f68e51cc583bec594c6ce1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0195 Title A name given to the resource Woodland stream Subject The topic of the resource Woods, Stream, Man Description An account of the resource Lantern slide of two men amongst trees with a stream. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Man Stream Woods https://collection.fourtoes.co.uk/files/original/f5effc188bb8330554f81d11db2112ea.jpg a102bdac7e1db5c1bd4a04532bc534b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0185 Title A name given to the resource Woodland Walk Subject The topic of the resource Woods, Path Description An account of the resource Lantern slide showing a pathway through trees. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Path Woods https://collection.fourtoes.co.uk/files/original/822701bdbc9f008e2064f2d2ae4f4897.jpg e55931c9afd219e45f0e6182dfc99e11 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0192 Title A name given to the resource Woodland Walk Subject The topic of the resource Woods, Path Description An account of the resource Lantern slide of a road between trees. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Path Woods https://collection.fourtoes.co.uk/files/original/b391f3afe0b01e6426df4d19077b4ab7.jpg 11ad1727d1ba6240e70bbb3fe2a1c648 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0297 Title A name given to the resource Woodland walk Subject The topic of the resource Woods, Path, Boy, England Description An account of the resource Lantern slide of a boy standing on a path in woodland. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Path Woods https://collection.fourtoes.co.uk/files/original/1e3ee04d448c0a1fd6d7a50b2301c577.jpg 540e46654af88785b5e6bef181d52ad0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0212 Title A name given to the resource Woodmans House, Tinsley Park Woods. Subject The topic of the resource House, Woods, England Description An account of the resource Lantern slide of a house in Tinsley Park Woods. Labelled Woodmans House. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England House Woods https://collection.fourtoes.co.uk/files/original/67f4acb3dd29425fcf91eccf9a693375.jpg 92a87d237f6b05e16271337049fe7a00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0044 Title A name given to the resource Woods in Rotherham. Subject The topic of the resource Trees, England Description An account of the resource Lantern slide showing path trhough woods. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Path Woods https://collection.fourtoes.co.uk/files/original/ee681abad769144f4e663278c2719612.jpg ed30d22e61e78ad4379ba4bf47bff5bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0324 Title A name given to the resource Woods. Subject The topic of the resource Woods, Path, England Description An account of the resource Lantern slide of a road through woodland. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Path Woods https://collection.fourtoes.co.uk/files/original/5d62cc320d99653fe8a153bf40c9a76e.jpg c5b0de22acefb4acc21b8522fe625302 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0326 Title A name given to the resource Would be Boy Scouts, West Bromwich Park. Subject The topic of the resource Park, Boys, England Description An account of the resource Lantern slide of boys sitting in a park. Labelled Would be Boy Scouts, West Bromwich Park. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Boys England Park Scout https://collection.fourtoes.co.uk/files/original/db70e074612341aaabfe5c0268005a2b.jpg 80444b271d351b3ef57dee6036801005 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0006 Title A name given to the resource Young Zulu woman. Subject The topic of the resource Zulu, Woman, Africa Description An account of the resource Lantern slide showing a young Zulu woman. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Africa Woman Zulu https://collection.fourtoes.co.uk/files/original/de5c3f94dcaba680734a79245590db06.jpg 5f7f5c5856a391c2c664e520d6cc7b6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0259 Title A name given to the resource Zulu and son. Subject The topic of the resource Zula, Africa Description An account of the resource Lantern slide of a Zulu man and his son. Both carry hand weapons. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Africa Zulu https://collection.fourtoes.co.uk/files/original/d89c6f7e0b59212565be18010defb892.jpg 1758353b0db9e2dd68633ca0cf5d549a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0108 Title A name given to the resource Zulu Chief with two wives. Subject The topic of the resource Zulu, Man, Woman, Africa Description An account of the resource Lantern slide of a Zulu chief and his two wives. Studio backdrop behind. Makers label A.F.Jewers, 41 Torrington Place, Plymouth. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Africa Backdrop Chief Man Wife Woman Zulu https://collection.fourtoes.co.uk/files/original/d1de2063153b1bcc28a847fda33697ca.jpg 82df18f433f52917e6dbb5c0c221c7aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0005 Title A name given to the resource Zulu Warrior and his young Wife. Subject The topic of the resource Zulu, Man, Woman, Africa Description An account of the resource Lantern lside showing a Zulu Warrior and his wife. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Africa Man Warrior Wife Woman Zulu https://collection.fourtoes.co.uk/files/original/e679d2bdbd99b9ed380b47f663e7025c.jpg 74f7db5cf740daed10451bb9820a710c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0260 Title A name given to the resource Zulu Woman. Subject The topic of the resource Zulu, Woman, Africa Description An account of the resource Lantern slide of a Zulu woman. Labelled A.F. Jewers, 41 Torrington Place, Plymouth. A traditional studio backdrop can be seen in the background. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Africa Woman Zulu