23 30 1136 https://collection.fourtoes.co.uk/files/original/fca63170506b533826452c6542a3a993.jpg fd84946bb41161c55fb3528149e565c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0175 Title A name given to the resource God Save The Queen. Subject The topic of the resource Illustration, Military Description An account of the resource Lantern slide of illustration titled God Save the Queen. Lord our God arise, scatter her enemies, and make them fall. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Illustration Kipling https://collection.fourtoes.co.uk/files/original/d95a3fd4164e098cdfd2d79b5338db39.jpg 4c4d92f107c7cbf78e7a4c11a156990f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0036 Title A name given to the resource Gossip, Roche Abbey, Mr J. Hatt and Mr J. Dimberline. Subject The topic of the resource Men, Gate, Abbey, England Description An account of the resource Lantern slide of two men leaning on a gate. Labelled Gossip, Roche Abbey, Mr J. Hatt and Mr J. Dimberline. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Abbey England Gate Man https://collection.fourtoes.co.uk/files/original/d97a97a88d1e6125c84d54e2026def55.jpg c319c8c553309fcacd801b232a95b8ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0061 Title A name given to the resource Grave in Eccleshall Wood, Charcoal Burner. Subject The topic of the resource Gravestone, Snow, England Description An account of the resource Lantern slide of a gravestone in snow. Labelled Grave in Eccleshall Wood, Charcoal Burner. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Cemetery England Grave Snow https://collection.fourtoes.co.uk/files/original/9cf52876660d34bb10fcdacaa7e3bb53.jpg 9e378d3e6904bc450e4ea258cbd6f223 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0163 Title A name given to the resource Great Wheel, Blackpool. Subject The topic of the resource Blackpool, Great Wheel, Entertainment, England Description An account of the resource Lantern slide of the Great Wheel at Blackpool Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Blackpool England Entertainment Great Wheel https://collection.fourtoes.co.uk/files/original/e1164c2e0751c55fde9484b2627c25c2.jpg e596f2c4d5b3c2f0ef69097e51fbd178 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0021 Title A name given to the resource Greeba Castle, Hall Cains Residence. Subject The topic of the resource Castle, Isle of Man, England Description An account of the resource Lantern slide whowing steps and balustrade of Greeba Castle. Labelled Hall Cains Residence. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Bench Castle England Isle of Man https://collection.fourtoes.co.uk/files/original/8d4d630cbbea140ab62f81dbe136aaba.jpg 2cf08e1ed7cd8ceb25cbdab69fcd135b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0169 Title A name given to the resource Grindleford Bridge. Subject The topic of the resource Bridge, River, England Description An account of the resource Lantern slide showing Grindleford stone bridge. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Bridge England River https://collection.fourtoes.co.uk/files/original/995cc88c6e1f93b1b3954aee9d8660c9.jpg 8cb8c13a1d81ad26e94bae2de00d5fae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0040 Title A name given to the resource Groudle Glen Subject The topic of the resource Children, Isle of Man, England Description An account of the resource Lantern slide of children at Groudle Glen, Isle of Man. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Children England Isle of Man https://collection.fourtoes.co.uk/files/original/b06519a814dcc205cbe01ca485481aa8.jpg 2d131b0fa9eabf6260a1d2b956e90527 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0315 Title A name given to the resource Group, Roche Abbey, Ambulance Class Trip 1910. Subject The topic of the resource Abbey, England, People Description An account of the resource Lantern slide of a large group of people at Roche Abbey. Labelled Ambulance Class Trip 1910. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Abbey England People https://collection.fourtoes.co.uk/files/original/1928a65531c235562dea67196ee3041c.jpg 1df0dee2425ef24a24cdead741e0c2f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0351 Title A name given to the resource Gun Boat, Ettrick Bay Subject The topic of the resource Military, Boats Description An account of the resource Lantern slide of Gun Boats, Ettrick Bay. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Boat Military https://collection.fourtoes.co.uk/files/original/93ef2f177ae19c1c1ee87cfe6d3e70e3.jpg 9dcb05e63a8fe0186a8d0de44bebb0d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0095 Title A name given to the resource Gun Boats, Ettrick Bay. Subject The topic of the resource Military, Boats, Scotland Description An account of the resource Lantern slides of Gun Boats on Ettrick Bay, Isle of Bute. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Boats Military Scotland Sea https://collection.fourtoes.co.uk/files/original/cc8bfebf21183cf85bd8cab49742956a.jpg 4a72112319ec739ed491587282466f8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0162 Title A name given to the resource Gynn Inn, Blackpool. Subject The topic of the resource Public House, Blackpool, England Description An account of the resource Lantern slide of Gynn Inn, Blackpool. Closed in May 1921 and was demolished soon after. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Blackpool England Public House https://collection.fourtoes.co.uk/files/original/91b5520cfecf5c73a19366aecab00533.jpg ddfb5ae0af51b45442679ea87de7b2fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0252 Title A name given to the resource Gypsies, Blackpool. Subject The topic of the resource Beach, Gypsy, Blackpool, England Description An account of the resource Lantern slide of Gypsies on the beach at Blackpool. Painted sign reads Gipsy Britannia. Gipsy Sarah's Eldest Clever Grand Daughter. True Bred Gipsy. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Beach Blackpool England Gypsy https://collection.fourtoes.co.uk/files/original/10890c7e6cf70b26d994478bf8189610.jpg a0a87b2a47e350e026b7b308186a6a8f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0197 Title A name given to the resource Gypsies, South Shore, Blackpool. Subject The topic of the resource Beach, Gypsy, Blackpool, England Description An account of the resource Lantern slide of Gypsies on the beach at South Shore, Blackpool. Painted sign Gipsy Lee, The only Gipsy Lee's on the sands. Patronized by Rich and Poor. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Beach Blackpool England Gypsy https://collection.fourtoes.co.uk/files/original/5ca1c84d3e21af2b4050c56e3a265527.jpg 59d38a1c2de56c0785a351d8d1103e72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0216 Title A name given to the resource Handsworth Nurseries, Sheffield. Subject The topic of the resource Woods, Sheffield, England Description An account of the resource Lantern slide of two men on a path aligned with trees. Labelled Handsworth Nurseries, Sheffield. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Path Sheffield Woods https://collection.fourtoes.co.uk/files/original/b9cfdfac2df99eb04e821625c17c105a.jpg b6fbc65686b2b8732292ecf249fb261a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0214 Title A name given to the resource Handsworth, Bo Naustage Wood, Sheffield Nurseries. Subject The topic of the resource Woods, Road, Boys, Sheffield, England Description An account of the resource Lantern slide of seven boys on a road. One holds a pole, another a posy of flowers. Labelled Handsworth, Bo Naustage Wood, Sheffield Nurseries. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Boys England Sheffield Woods https://collection.fourtoes.co.uk/files/original/5304200a87202805043050e36f2297bd.jpg 4e163edef56f964e09d92e2ff9a09787 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0337 Title A name given to the resource Hazels Park Subject The topic of the resource Park, England Description An account of the resource Lantern slide of a man on a small bridge at Hazels Park. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Bridge England Park https://collection.fourtoes.co.uk/files/original/9f122f196d28dfc2b3d6abd408548eb4.jpg e268f4baea5f3de028c35c0201e17c28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0174 Title A name given to the resource He is out on active service. The absent minded beggar. Subject The topic of the resource Illustration, Military Description An account of the resource Lantern slide of illustration from The Absent Minded Beggar. "The Absent-Minded Beggar" is an 1899 poem by Rudyard Kipling, set to music by Sir Arthur Sullivan and often accompanied by an illustration of a wounded but defiant British soldier, "A Gentleman in Kharki", by Richard Caton Woodville. The song was written as part of an appeal by the Daily Mail to raise money for soldiers fighting in the Second Boer War and their families. The fund was the first such charitable effort for a war. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Illustration Kipling Military https://collection.fourtoes.co.uk/files/original/9310c8bbc4fdf44efd2bb33764a1cd37.jpg 59a8b975e4d28c44695e684ec0a67327 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0126 Title A name given to the resource Herbert White. Footballer. Subject The topic of the resource Man, Football, Sport Description An account of the resource Lantern slide of Herbert White, Footballer. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Football Man Sport https://collection.fourtoes.co.uk/files/original/e405a84e2ebb189e404e9cf6565f6248.jpg f9b04df4e294131d7ab5d6fedfb11c87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0131 Title A name given to the resource Herbert White. Footballer. Subject The topic of the resource Sport, Football, Man Description An account of the resource Lantern slide of Herbert White, Footballer. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Football Man Sport https://collection.fourtoes.co.uk/files/original/3f644c1a0d189a1de00d4508d08072d7.jpg 878fed06e4bd7efd6e497e351b1811b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0305 Title A name given to the resource High Hazels Bandstand, Mrs W.W. Histead. Subject The topic of the resource Band Stand, Park, England Description An account of the resource Lantern slide wshowing a woman standing alongside the High Hazels bandstand. Labelled Mrs W.W. Histead. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Band Stand England Park https://collection.fourtoes.co.uk/files/original/d89346248546b7719234fd86f136968a.jpg d654b51376b6d81ee243087d96914fa9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0018 Title A name given to the resource Hillsborough Subject The topic of the resource People, Children, England Description An account of the resource Lantern slide showing adults and children in a park at waters edge. Labelled Hillsborough. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Children England Man Park Pond https://collection.fourtoes.co.uk/files/original/03999d9e43d2f419a63766bb55059c6e.jpg 3bbc6e27f5773fb108a37391859d4063 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0239 Title A name given to the resource Hillsborough Park, Sheffield. Subject The topic of the resource Lake, Trees, Park, Sheffield, England Description An account of the resource Lantern slide showing a lake in Hillsborough Park, Sheffield. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Lake Park Sheffield Trees https://collection.fourtoes.co.uk/files/original/591d7366083f8ceae2e6e992d353707d.jpg 22d1de1b385cd41902cf3405533efdf8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0309 Title A name given to the resource Hillsborough. Subject The topic of the resource Bridge, England Description An account of the resource Lantern slide of a footbridge at Hillsborough. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Bridge England https://collection.fourtoes.co.uk/files/original/14c393074bbdb2cf30617710717b2865.jpg 0bbd032f4d9f66c825dac8e65e331623 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0093 Title A name given to the resource HMS Foudroyant wreck at Blackpool. Subject The topic of the resource Military, Wreck, Blackpool, England Description An account of the resource Lantern slide of HMS Foudroyant wreck at Blackpool. On 16 June 1897 during a violent storm, she parted a cable and dragging the remaining anchor, went ashore on Blackpool Sands, damaging Blackpool North Pier in the process. The Blackpool lifeboat was able to rescue all 27 of her crew.After vain attempts to refloat her, her guns were removed and she was sold for _200. She finally broke up in the December gales. Craftsmen used flotsam from the wreck to make furniture, and, between 1929 and 2003, the wall panelling of the boardroom of Blackpool F.C.'s Bloomfield Road ground. The ship's bell now resides in Blackpool Town Hall. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Beach Blackpool England Military Ship Wreck https://collection.fourtoes.co.uk/files/original/6a9a36ee3515e5b82dff1cbbaf1027a1.jpg 8aa1898815728ca4975916070b7e4f9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0199 Title A name given to the resource Homestead Woods. Subject The topic of the resource Woods, Woman, Boy, England Description An account of the resource Lantern slide of a woman and boy collecting ferns in Homestead Woods. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Boy England Woman Woods https://collection.fourtoes.co.uk/files/original/6bae964e8a3b69ae3fdf14dd688148c1.jpg bdaf475d2d49d1af57901eadda58a31d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0039 Title A name given to the resource House Subject The topic of the resource House, Woods Description An account of the resource Lantern slide of a house with trees. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift House Woods https://collection.fourtoes.co.uk/files/original/57eb600bdd9f8f98571a018539a8765f.jpg 1cb582e35d10a51f7e30f487db8d7163 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0073 Title A name given to the resource Hymn. Abide with me. Subject The topic of the resource Religious, Hymn Description An account of the resource Lantern slide of woman with Hymn. Labelled Hymn. Abide with me. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Hymn Religious Woman https://collection.fourtoes.co.uk/files/original/b90d06eca9b8367c6aa064e91ec24aa1.jpg 82982a599fc3c61d42d06b4c2f8cc562 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0069 Title A name given to the resource Hymn. Hark, Hark, my soul! Angelic songs are swelling. Subject The topic of the resource Illustration, Religious Description An account of the resource Lantern slide of Hymn. Labelled Hymn. Hark, Hark, my soul! Angelic songs are swelling. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Hymn Illustration https://collection.fourtoes.co.uk/files/original/94dec7d221530405a9621847c7184262.jpg db0a2b13c5af42ff450e0e3cb63fcb14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0154 Title A name given to the resource Hymn. Hark, Hark, my soul! Angelic songs are swelling. Subject The topic of the resource Illustration, Religious Description An account of the resource Lantern slide of illustration of a Hymn. Labelled Hymn. Hark, Hark, my soul! Angelic songs are swelling. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Hymn Illustration Religious https://collection.fourtoes.co.uk/files/original/57d9649d70d2bb1f4ba68dad93a0e60c.jpg ad305308668c3dce7c51eb8f02172f0d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0070 Title A name given to the resource Hymn. My soul is now united to Christ, the living vine. Subject The topic of the resource Illustration, Religious Description An account of the resource Colour lantern slide of Hymn. Labelled Hymn. My soul is now united to Christ, the living vine. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Colour Hymn Illustration