11 30 1136 https://collection.fourtoes.co.uk/files/original/095702f0f39a94960829eff9e0f0e810.jpg cf10a9089fead8485933fb5683bf8688 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0221 Title A name given to the resource Top Lake, Endcliff Woods, Near Rustlings Road. Subject The topic of the resource Lake, Woods, England Description An account of the resource Lantern slide of Top Lake, Endcliff Woods, near Rustlings Road. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Lake Woods https://collection.fourtoes.co.uk/files/original/177b38fe89b2385fc64e5b4baca4d365.jpg 39f3b23f9c3d1d277eea619a79d652cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0222 Title A name given to the resource Sheffield Barracks, Hillsborough. Subject The topic of the resource Military, Barracks, England Description An account of the resource Lantern slide of a crowd of people outside Sheffield Barracks, Hillsborough. A policeman and a man with bandage to head can be seen. Lantern slide is damaged. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Barracks England Military Policeman https://collection.fourtoes.co.uk/files/original/0137d01d594cfcf8af73aa3817f7e86d.jpg f41072175a2a29fd84995f3bd9aae163 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0223 Title A name given to the resource Tinsley Park Woods. Winter. Subject The topic of the resource Woods, Snow, England Description An account of the resource Lantern slide of Tinsley Park woods in Winter with snow. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Snow Woods https://collection.fourtoes.co.uk/files/original/caa356fedee11af287d6fc011599e82a.jpg fa3e6c5d5a45658e249bd54894aca8b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0224 Title A name given to the resource Burback Brook from bridge side of Toads Mouth Rock 1909. Subject The topic of the resource Stream, England Description An account of the resource Lantern slide of a vie of Burback Brook taken from the bridge at side of Toads Mouth Rock 1909. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Stream https://collection.fourtoes.co.uk/files/original/903f23602a0f3dd813d3d04e8ff5a669.jpg d60ec2764258db57f9276f972b3a0549 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0225 Title A name given to the resource Lock House, Garbrook. Subject The topic of the resource House, Canal, England Description An account of the resource Lantern slide of canalside building. Labelled Lock House, Garbrook. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Canal England House https://collection.fourtoes.co.uk/files/original/799a55908ef0213a3ee0e005af7c64b2.jpg 4bab96a60486f2a302d38841080ebd1e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0226 Title A name given to the resource Storm Clouds, Tinsley Park Wood. Subject The topic of the resource Woods, Weather, England Description An account of the resource Lantern slide of stom clouds over Tinsley Park Woods, Sheffield. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Trees Weather https://collection.fourtoes.co.uk/files/original/c9201f1c381ebe4ef1939086481a982f.jpg ba04ffec6100361aeb5bf7a36a074a42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0227 Title A name given to the resource Tinsley Park Cemetry road. Subject The topic of the resource Cemetery, Sheffield, England Description An account of the resource Lantern slide of Tinsley Park Cemetery Road, Sheffield. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Cemetery England Sheffield https://collection.fourtoes.co.uk/files/original/0c4979f9ddecb86cb1e1bbc8819aa471.jpg 90ddcc4a9144c8567b16a478620bea63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0228 Title A name given to the resource Tinsley Park Woods. Winter. Subject The topic of the resource Woods, Snow, England Description An account of the resource Lantern slide of snowy scene at Tinsley Park Woods, Sheffield. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Snow Woods https://collection.fourtoes.co.uk/files/original/4e633e9e3f9a725cb70d05e993aa23b6.jpg 752f59eadb6d2b0b1850163ce139370b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0229 Title A name given to the resource Tinsley Park Woods. Subject The topic of the resource Woods, Path, England Description An account of the resource Lantern slide of a couple walking into distance along path in Tinsley Park Woods, Sheffield. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Path Woods https://collection.fourtoes.co.uk/files/original/aa1610c8edcd4dc5146cb526980be491.jpg 30cd13568158537f514fcc0021aab1bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0230 Title A name given to the resource Bo Naustage Wood, Sheffield. Subject The topic of the resource Woods, Path, England Description An account of the resource Lantern slide of trees and path in Bo Naustage Woods, Sheffield. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Path Woods https://collection.fourtoes.co.uk/files/original/8e95c88d82a8381bee20016af7b62f81.jpg a5d9b76ce4fb70f9cf1c3ce279f7e0c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0231 Title A name given to the resource Endcliffe Woods. Subject The topic of the resource Woods, Path, Stream, England Description An account of the resource Lantern slide of woodland walk in Endcliffe Woods, Sheffield. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Path Woods https://collection.fourtoes.co.uk/files/original/d3fc1c0688d8172f94301dd234faedf2.jpg 6102f25d466f3b0788837479269f732c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0232 Title A name given to the resource Endcliffe Woods. Subject The topic of the resource Woods, Lake, England Description An account of the resource Lantern slide of a view looking over water to buildings in Endcliffe Woods, Sheffield. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Lake Woods https://collection.fourtoes.co.uk/files/original/6595d273985a521e2c8f0a1588195f25.jpg 9fd97c2817787dae4b45a71af3b4a4b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0233 Title A name given to the resource Remains Laughton Castle 1910 Subject The topic of the resource Castle, England Description An account of the resource Lantern slide showing remains of Laughton Castle 1910. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Castle England https://collection.fourtoes.co.uk/files/original/cfec22d5a43908b68612ab6a255ed3af.jpg d5fb1b9faf3e67fd97583415eb209e04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0234 Title A name given to the resource Black Brook. Subject The topic of the resource Geology, Rocks, Stream Description An account of the resource Lantern slide of a rocky brook. Labelled Black Brook. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Rocks Stream https://collection.fourtoes.co.uk/files/original/5971ea338561808606cdf0ef903ad384.jpg 24abeec1c08d6946ffb664c9f67569a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0235 Title A name given to the resource Lady Bower. Subject The topic of the resource Geology, Rocks, Stream Description An account of the resource Lantern slide of a rocky brook. Labelled Lady Bower. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Rock Stream https://collection.fourtoes.co.uk/files/original/c74fd5f6d973f365befab85f4928e0c5.jpg e94fb5b66f0a5b986b5d3b584e5aaf09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0236 Title A name given to the resource Near Bamford. Subject The topic of the resource Road, England Description An account of the resource Lantern slide of a road near Bamford showing stone buildings. A roadsign shows Bamford 1 Mile and Ashopton 3 Miles. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Road https://collection.fourtoes.co.uk/files/original/dbc79602386ac968c3a0fc257e84ab8c.jpg 59fd2cbefc883cbbf88437e262e411d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0237 Title A name given to the resource Bridge over Derwent near Bamford. Subject The topic of the resource Bridge, River, England Description An account of the resource Lantern slide showing a stone bridge over the Derwent near Bamford. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Bridge England River https://collection.fourtoes.co.uk/files/original/fc072d8212eaff923831b36fc4c5eeb0.jpg 252cdeaab3880ed1f741b4b8ffbef942 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0238 Title A name given to the resource Burback Brook. Subject The topic of the resource Tree, Stream Description An account of the resource Lantern slide showing Burback Brook near Toads Mouth Rock. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Stream Tree https://collection.fourtoes.co.uk/files/original/03999d9e43d2f419a63766bb55059c6e.jpg 3bbc6e27f5773fb108a37391859d4063 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0239 Title A name given to the resource Hillsborough Park, Sheffield. Subject The topic of the resource Lake, Trees, Park, Sheffield, England Description An account of the resource Lantern slide showing a lake in Hillsborough Park, Sheffield. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England Lake Park Sheffield Trees https://collection.fourtoes.co.uk/files/original/7a8d28cc7070ef0a2d3a5cd0d37373a6.jpg c617d1fb891b29a6df4ef839d6efec82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0240 Title A name given to the resource On the River Dee, Llangollen, Wales. Subject The topic of the resource River, Rocks, Wales Description An account of the resource Lantern slide showing a man and two women sitting on the rocks along the River Dee, Llangollen, Wales. Buildings can be seen in the distance. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift River Rocks Wales https://collection.fourtoes.co.uk/files/original/529cdaf4db239941addb0fbe8587e685.jpg 61af4ada807fa1d0b2c6ece0f15d8842 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0241 Title A name given to the resource Central Pier, Blackpool. Subject The topic of the resource Beach, Pier, Blackpool, England Description An account of the resource Lantern slide of a section of the Central Pier in Blackpool. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Beach Blackpool England Pier https://collection.fourtoes.co.uk/files/original/ca1e5d9facde7edecc8ab24c929fba7f.jpg 01bbf94f6d14d92fce87e9d47d0c8255 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0242 Title A name given to the resource River with trees Subject The topic of the resource Tree, River Description An account of the resource Lantern slide of a river with trees. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift River Trees https://collection.fourtoes.co.uk/files/original/8657ce416339084aee302de7df0fa39f.jpg b24c859dc3bb666f137fb2e84c725a33 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0243 Title A name given to the resource A rocky brook Subject The topic of the resource Geology, Rock, Stream Description An account of the resource Lantern slide of a rocky brook. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Rocks Stream https://collection.fourtoes.co.uk/files/original/73ffd7ee167ba89bdf5e1696fd982a2e.jpg 07c95ac38b93423af2b930bf9d82148e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0244 Title A name given to the resource A rocky brook Subject The topic of the resource Geology, Rock, Stream Description An account of the resource Lantern slide of a rocky brook. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Rocks Steam https://collection.fourtoes.co.uk/files/original/2e3d323d121190b7dbf45e492f4c2974.jpg 7cd285f885e9944c643ec8faa430005a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0245 Title A name given to the resource Cannons Subject The topic of the resource Military, Cannon, England Description An account of the resource Lantern slide showing two cannons in a field with trees. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Cannon England Military https://collection.fourtoes.co.uk/files/original/0316a7cf8fc5aed160e0c4185ab6c9ab.jpg 2f39c0c348b93bbf340220f66d42126d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0246 Title A name given to the resource Fifty thousand horse and foot going to Table Bay. Subject The topic of the resource Military, Soldier Description An account of the resource Lantern slide of soldiers. Labelled Fifty thousand horse and foot going to Table Bay. From the poem by Rudyard Kipling - An Absent Minded Beggar. Partially hand coloured Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Kipling Military Soldier https://collection.fourtoes.co.uk/files/original/5cf833647f85d8c54623f22fef3277ac.jpg 06bc1cfcbfac088a13a2d1c19779d5af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0247 Title A name given to the resource Stone bridge Subject The topic of the resource Bridge, River Description An account of the resource Lantern slide of a stone bridge over a river. Partially hand coloured. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Bridge River https://collection.fourtoes.co.uk/files/original/81cd99ee5796e79d9e8bd7417985c7da.jpg 0d0ac290e26a9ac94b3d75390cd631e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0248 Title A name given to the resource Toads Mouth Rock, Burnage. Subject The topic of the resource Geology, Rock, People, England Description An account of the resource Lantern slide of people standing on Toads Mouth Rock, Burnage. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift England People Rocks https://collection.fourtoes.co.uk/files/original/7fafc0d4b03b4dee1f09490b324e4d56.jpg b5c5af00aa3197c952fbfe5437a94f1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0249 Title A name given to the resource Cleveleys Hydro near Blackpool. Subject The topic of the resource Hotel, Accommodation, Blackpool, England Description An account of the resource Lantern slide of the exterior of Cleveleys Hydro near Blackpool. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift Accommodation Blackpool England Hotel https://collection.fourtoes.co.uk/files/original/a6decf5ca48bab8bd1dff37b3617068b.jpg ca3a6ac8ed9d14aa6512ec0af34456d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lantern Slides Description An account of the resource The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Magic Lantern Slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context LS0250 Title A name given to the resource London. Subject The topic of the resource Illustration, City, England, London Description An account of the resource Colour lantern slide of an illustration of a scene of London. Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource 82mm x 82mm Rights Information about rights held in and over the resource Attribution-NonCommercial-ShareAlike Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Pete Spencer, Bolton, UK, Former Owner Accrual Method The method by which items are added to a collection. Gift City England Illustration London