1
30
39
-
https://collection.fourtoes.co.uk/files/original/3f61023676a937ad07fdc0b3117e8b2e.jpg
c0dbdab4354c2e6654b0df5df0a8778a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0271
Title
A name given to the resource
Illustration of a city
Subject
The topic of the resource
Illustration, City
Description
An account of the resource
Colour lantern slide of an illustration of waterside city.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
City
Illustration
-
https://collection.fourtoes.co.uk/files/original/353faa34419711cd4869102421bbc00b.jpg
6e05c378a5ad4cafb398123cb1613e1e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0265
Title
A name given to the resource
The absent minded beggar.
Subject
The topic of the resource
Illustration, Military
Description
An account of the resource
Lantern slide of a military illustration of the poem by Rudyard Kipling -The Absent Minded Beggar. Numbered 1
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Illustration
Kipling
Military
-
https://collection.fourtoes.co.uk/files/original/98c2947e2440214e857df939c1609339.jpg
2c97baace0044dc3fa68cc8e387f5f28
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0254
Title
A name given to the resource
Religious illustration
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Lantern slide of a religious illustration. Damaged.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/a28af748fbb56be12a0f76f90e2c8dac.jpg
4be913bdc5f37068da889cf0d303cc45
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0251
Title
A name given to the resource
Religious illustration
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Lantern slide of a religious illustration.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/a6decf5ca48bab8bd1dff37b3617068b.jpg
ca3a6ac8ed9d14aa6512ec0af34456d6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0250
Title
A name given to the resource
London.
Subject
The topic of the resource
Illustration, City, England, London
Description
An account of the resource
Colour lantern slide of an illustration of a scene of London.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
City
England
Illustration
London
-
https://collection.fourtoes.co.uk/files/original/8e4f51b2e0525b8f12d836616c94ca16.jpg
92df3d9f541f07d806ada84688f0d5a8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0183
Title
A name given to the resource
Illustration of a boy.
Subject
The topic of the resource
Illustration
Description
An account of the resource
Colour lantern slide of an Illustration of a boy sitting on straw alone. Numbered 5.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Boy
Colour
Illustration
-
https://collection.fourtoes.co.uk/files/original/c46aab244d648a8fd9079c9ffadc3063.jpg
a977859fcca11ea843bb8444e26f738b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0176
Title
A name given to the resource
The Absent Minded Beggar.
Subject
The topic of the resource
Illustration, Military
Description
An account of the resource
Colour lantern slide of an illustraion of the Union Jack with The Absent Minded Beggar inside a horsehoe emblem.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Kipling
Military
-
https://collection.fourtoes.co.uk/files/original/fca63170506b533826452c6542a3a993.jpg
fd84946bb41161c55fb3528149e565c1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0175
Title
A name given to the resource
God Save The Queen.
Subject
The topic of the resource
Illustration, Military
Description
An account of the resource
Lantern slide of illustration titled God Save the Queen. Lord our God arise, scatter her enemies, and make them fall.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Illustration
Kipling
-
https://collection.fourtoes.co.uk/files/original/9f122f196d28dfc2b3d6abd408548eb4.jpg
e268f4baea5f3de028c35c0201e17c28
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0174
Title
A name given to the resource
He is out on active service. The absent minded beggar.
Subject
The topic of the resource
Illustration, Military
Description
An account of the resource
Lantern slide of illustration from The Absent Minded Beggar. "The Absent-Minded Beggar" is an 1899 poem by Rudyard Kipling, set to music by Sir Arthur Sullivan and often accompanied by an illustration of a wounded but defiant British soldier, "A Gentleman in Kharki", by Richard Caton Woodville. The song was written as part of an appeal by the Daily Mail to raise money for soldiers fighting in the Second Boer War and their families. The fund was the first such charitable effort for a war.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Illustration
Kipling
Military
-
https://collection.fourtoes.co.uk/files/original/d5c7b59b587e5c02cd7eb432a71142df.jpg
73788056ec753e42a0786eb07c2ff5c3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0159
Title
A name given to the resource
Joshua and the Angel.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Joshua and the Angel.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/a9dbbc0d39079fb3f732d2230335ef3d.jpg
891105504fee4708dbeecdd730792daf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0158
Title
A name given to the resource
Religious illustration
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/13c61efe8aa800d594809a3bd3db665a.jpg
682110d575aed52f151e002966bf994d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0157
Title
A name given to the resource
Abraham and Isaac.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham and Isaac.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/737b669667e71aef0e4efa1779108690.jpg
870e335e18594e2c309bfc0a715dc891
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0156
Title
A name given to the resource
Abraham and Isaac.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham and Isaac.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/94dec7d221530405a9621847c7184262.jpg
db0a2b13c5af42ff450e0e3cb63fcb14
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0154
Title
A name given to the resource
Hymn. Hark, Hark, my soul! Angelic songs are swelling.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Lantern slide of illustration of a Hymn. Labelled Hymn. Hark, Hark, my soul! Angelic songs are swelling.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Hymn
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/37a7d3c3d9d6804fccfe44e624c3cf1d.jpg
b0bde599e82166e6ca018535a4832809
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0153
Title
A name given to the resource
Death of Abel.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of of illustration a religious scene. Labelled Death of Abel.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/6f3df19f80bc07d67b80d95f0bb66160.jpg
3cf1c8d1d2f5a6c96c21a340c6f34824
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0152
Title
A name given to the resource
The hands of Esau but the voice of Jacob.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled The hands of Esau but the voice of Jacob.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/531447cf201f6107fecd52922deb202c.jpg
2a0ce20f8d341fb59250defaec2d22b4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0151
Title
A name given to the resource
Religious illustration
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/2c7a2d94de60dbbed0c173167db2f26b.jpg
0cccf1504c575a4c8df2cb3b9bede676
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0150
Title
A name given to the resource
Abraham and Isaac, offering of Isaac.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham and Isaac, offering of Isaac.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/59aacb0ecbcfd8978fb5f84698222aef.jpg
244ad97dc29f94f84e5dcbf602c8138a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0149
Title
A name given to the resource
Abraham and Isaac, offering of Isaac.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham and Isaac, offering of Isaac.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/6378da099dd3db1043899e1b1d22a7b0.jpg
40acc06f1d479e9c04bfca748a615acb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0148
Title
A name given to the resource
Abraham, The three Angels.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene. Labelled Abraham, The three Angels.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/00674863a36869c833dab8d752072d22.jpg
10b10677382382e24fa0691e2bb05472
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0147
Title
A name given to the resource
The Creation.
Subject
The topic of the resource
Illustration, Religious
Description
An account of the resource
Colour lantern slide of illustration of a religious scene, Labelled The Creation.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Colour
Illustration
Religious
-
https://collection.fourtoes.co.uk/files/original/a0d148ce1d5a0017eabd0e0a56ced11b.jpg
6e395892af961f02865807528cf4b0e7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0106
Title
A name given to the resource
Illustration of a boy in bed.
Subject
The topic of the resource
Illustration
Description
An account of the resource
Colour lantern slide of an Illustration of a boy in bed with clothes on chair. Numbered 12.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Bed
Boy
Chair
Colour
Illustration
-
https://collection.fourtoes.co.uk/files/original/7b601ad51e283eccdff6f4c0f82040ad.jpg
d459a4441dbd57bd31c09e7867cde346
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0104
Title
A name given to the resource
Illustration of a boy in bed.
Subject
The topic of the resource
Illustration
Description
An account of the resource
Colour lantern slide of an Illustration of a boy in bed, another comforting him and a man sitting on a chair. Numbered 10.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Bed
Boy
Colour
Hat
Illustration
Man
Sitting
-
https://collection.fourtoes.co.uk/files/original/f967a54b047b28d16aca389eaf957e2c.jpg
cca154e27fd07fc6f455d4e66093623e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0103
Title
A name given to the resource
Illustration of a boy lying on the floor.
Subject
The topic of the resource
Illustration
Description
An account of the resource
Colour lantern slide of an Illustration of a boy lying on the floor at the fireside as an elderly man enters the room. Numbered 4.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Boy
Colour
Door
Fireside
Illustration
Man
Sweep
-
https://collection.fourtoes.co.uk/files/original/33c70b53c1d05e966a18229b54d55371.jpg
511ad982027e8aa922ce4d8f2ec68629
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0102
Title
A name given to the resource
Illustration of two boys talking at the fireside.
Subject
The topic of the resource
Illustration
Description
An account of the resource
Colour lantern slide of an Illustration of two boys talking at the fireside. Numbered 3.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Boy
Colour
Door
Fireside
Illustration
Table
-
https://collection.fourtoes.co.uk/files/original/74e85953eef47a616b2bedf7e6a2dd04.jpg
c97dbed0cb270e720136aa20043b4f3e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0101
Title
A name given to the resource
Illustration of a boy talking to a woman at a table.
Subject
The topic of the resource
Illustration
Description
An account of the resource
Colour lantern slide of an Illustration of a boy talking to a woman at a table. Numbered 11.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Boy
Colour
Illustration
Painting
Table
Woman
-
https://collection.fourtoes.co.uk/files/original/f12c148d9f778c12f722047f3fe1976f.jpg
80e05f554647e45c2576e813cbbc83e9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0100
Title
A name given to the resource
Illustration of a boy carrying a bag and a woman with parasol.
Subject
The topic of the resource
Illustration
Description
An account of the resource
Colour lantern slide of an Illustration of a boy carrying a bag and a woman with parasol. Numbered 7.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Boy
Colour
Fence
Illustration
Parasol
Wall
Woman
-
https://collection.fourtoes.co.uk/files/original/43877fabc865f685198bc2e361b65a80.jpg
7f444c6bf4c1b6ef7a2e07cbd783ccb6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0099
Title
A name given to the resource
Illustration of a boy peering around a wall.
Subject
The topic of the resource
Illustration
Description
An account of the resource
Colour lantern slide of an Illustration of a boy peering around a wall. Numbered 8.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Boy
Colour
Fence
Illustration
Sweep
Wall
-
https://collection.fourtoes.co.uk/files/original/e0b1719e485cc9b949278b48a648fd4f.jpg
799648e4c2a7304bbc5652c68fa1a9ee
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0098
Title
A name given to the resource
Illustration of two boys in bed with Nurse.
Subject
The topic of the resource
Illustration
Description
An account of the resource
Colour lantern slide of an Illustration of two boys in bed with Nurse. Numbered 9.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Bed
Boy
Colour
Illustration
Nurse
-
https://collection.fourtoes.co.uk/files/original/3bdcaf886ec08e39b6af46056f862cf0.jpg
668a0fcafd58a708f93629ce7f307eb1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0097
Title
A name given to the resource
Illustration of two boys by fenced wall.
Subject
The topic of the resource
Illustration
Description
An account of the resource
Colour lantern slide of an Illustration of two boys by fenced wall. Numbered 6.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Boy
Colour
Fence
Illustration
Wall