1
30
16
-
https://collection.fourtoes.co.uk/files/original/5252611ac6a14cd5cc01106a4579facf.jpg
89971a4bfffd9ec46b955c5bd50e91dc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0306
Title
A name given to the resource
Sheepbridge Works.
Subject
The topic of the resource
Industry, Business, England
Description
An account of the resource
Lantern slide showing an industrial scene of Sheepbridge Works, Chesterfield.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
England
Industry
-
https://collection.fourtoes.co.uk/files/original/6dc119d5097e9f39750408835542991c.jpg
7eeb20c9a9e7f006c165ba2c5b696cc4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0263
Title
A name given to the resource
Firbeck Post Office.
Subject
The topic of the resource
Business, Post Office, Building, Woman, England
Description
An account of the resource
Lantern slide of two women standing outside of Firbeck Post Office.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
England
Post Office
Woman
-
https://collection.fourtoes.co.uk/files/original/ffd80241e592374e3c168f064da4348b.jpg
aa5decd6a409c65b9191aa670487081f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0213
Title
A name given to the resource
Lamberts Committee Room, Polling Day, Coleridge Road 1908.
Subject
The topic of the resource
Business, Politics, England
Description
An account of the resource
Lantern slide of a street view with children, adults, a store and delivery handcart. Labelled Lamberts Committee Room, Polling Day, Coleridge Road 1908.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
England
Politics
Street
-
https://collection.fourtoes.co.uk/files/original/df5ac24c8a8eb6af3bf93f0e41d05ec7.jpg
1fe955abf2571a61d31ce5ba88c6cf84
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0205
Title
A name given to the resource
Electric Power Station, S.H. Burrows.
Subject
The topic of the resource
Business, Electric, Man, England
Description
An account of the resource
Lantern slide of a man with machinery at an Electric Power Station. Labelled S.H. Burrows.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
Electricity
England
Machinery
Man
-
https://collection.fourtoes.co.uk/files/original/8f602d49cc7f049c5d34cc4c1621426b.jpg
abcf04d06a7e23ff98d70d5245d7fc44
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0200
Title
A name given to the resource
Mr Dickenson and group selling buns. Lili and Julie Dixon, Harry, Beat and Mr Dickenson with Pikelets.
Subject
The topic of the resource
Business, Delivery, Baker, England
Description
An account of the resource
Lantern slide of a man selling buns to three women and a boy outside their door. Labelled Mr Dickenson and group selling buns. Lili and Julie Dixon, Harry, Beat and Mr Dickenson with Pikelets.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Baker
Boy
Business
Delivery
England
Occupation
Woman
-
https://collection.fourtoes.co.uk/files/original/ce506635fee348bade9494fb6a2d1037.jpg
5dd3ddf0f1564e1e6d3b7521a2f98f37
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0168
Title
A name given to the resource
Bridlington.
Subject
The topic of the resource
Quay, Boat, Transport, England
Description
An account of the resource
Lantern slide showing boats at Bridlington quayside.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
England
Quay
Ship
Transport
-
https://collection.fourtoes.co.uk/files/original/8df72d803cdae11035b528fbfc3f1d1b.jpg
174c95b86230c60025ec8d64493a012f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0115
Title
A name given to the resource
Wilks Ice cream, Whit Monday 1912.
Subject
The topic of the resource
Business, Delivery, Ice Cream, England
Description
An account of the resource
Lantern slide of an ice cream cart and customers. Labelled Wilks Ice cream, Whit Monday 1912.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
Cart
Children
Delivery
England
Ice Cream
Man
Terrace
Woman
-
https://collection.fourtoes.co.uk/files/original/d9346f251615695b2e5057c41c615009.jpg
b84221cd9ab37ca6e301c9e6be217f18
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0092
Title
A name given to the resource
Quey Side, Bridlington.
Subject
The topic of the resource
Quay, Transport, Business, England
Description
An account of the resource
Lantern slide of the Quayside at Bridlington, Yorkshire, England.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
England
Quay
Sea
Ship
Transport
-
https://collection.fourtoes.co.uk/files/original/f627fb0edd33a825001578d037f65e21.jpg
09aea4d62adcd11d01b4ea49b0c25eb0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0085
Title
A name given to the resource
Tinsley Park Pits, Sheffield.
Subject
The topic of the resource
Business, Industry, Coal, Sheffield, England
Description
An account of the resource
Lantern slide of view of Tinsley Park Pits, Sheffield.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
Coal
England
Industry
Pit
Sheffield
-
https://collection.fourtoes.co.uk/files/original/857c71e64534185ac3ba239974edf952.jpg
09225bda23662cd118b57d3b6b3e22ff
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0083
Title
A name given to the resource
Dust oh!
Subject
The topic of the resource
Boy, Broom
Description
An account of the resource
Lantern slide of boy with broom, hat numbered 79. Labelled Dust oh!
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Boy
Business
Sweep
-
https://collection.fourtoes.co.uk/files/original/d531975240248ec984d12a08cc1dd3af.jpg
0aa75e21889bed67b7f5570966746c82
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0079
Title
A name given to the resource
Quay side loaded.
Subject
The topic of the resource
Transport, Business, Shipping, Quay
Description
An account of the resource
Lantern slide of a boat at quayside.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
Quay
Ship
Transport
-
https://collection.fourtoes.co.uk/files/original/67d84bbdf9bc6bdb9c77633f1f671f02.jpg
cdcc6cceca0eb73c144ab2bebaf988ca
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0068
Title
A name given to the resource
Pure milk sold here. 3 Miles from Manchester.
Subject
The topic of the resource
Manchester, Business, Milk, England
Description
An account of the resource
Lantern slide of a building that sells milk. Labelled Pure milk sold here. 3 Miles from Manchester.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
England
Manchester
Milk
Tree
-
https://collection.fourtoes.co.uk/files/original/d5f4fde5e985962467c2beb38e147803.jpg
60128195f890d4787d78f00a2b8ad2da
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0041
Title
A name given to the resource
Broughton Lane, Dickenson.
Subject
The topic of the resource
People, Business, Delivery, England
Description
An account of the resource
Lantern slide of people outside purchasing goods from a street vendor. Bridge in distance.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Bridge
Business
Cart
Children
Delivery
England
Man
Woman
-
https://collection.fourtoes.co.uk/files/original/af217fddd2a058f1f7a84007a5675999.jpg
aa64e428625831fda649b99f9741406b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0008
Title
A name given to the resource
Mr Dickenson Ice Cream in front of 30 Clipstone Road
Subject
The topic of the resource
Ice Cream, Business, Delivery, Man, England
Description
An account of the resource
Lantern slide showing an ice cream cart with man on a cobbled street.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
Cart
Children
Delivery
England
Ice Cream
Man
-
https://collection.fourtoes.co.uk/files/original/e108491caa9d77251d284fc2fede21a2.jpg
db28feb7238616758dc879ab521592b0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
The vast majority of commercial lantern slides were black-and-white positive images, created with the wet collodion or a dry gelatine process. Slide lantern photographers made either “contact” or “reduction” prints. Contact prints were made by placing a negative over a piece of light-sensitive lantern glass and then developing the image by exposure under controlled light. For a reduction print, the photographer often affixed the negative to a window with a clear view, and photographed the illuminated negative directly onto the light-senstive lantern glass with a camera. After the completion of the photographic process, slide makers often affixed a paper border to the lantern glass, covered it with a clear piece of protective glass, and then bound the glass “sandwich” together with tape. The paper borders often bore printed identification of the commercial studio. Less frequently, manufacturers employed professional colorists to apply pigment washes to the lantern glass image prior to labeling and binding.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Magic Lantern Slide
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
LS0007
Title
A name given to the resource
Mr Dickenson Ice Cream in front of 30 Clipstone Road
Subject
The topic of the resource
Ice Cream, Business, Delivery, Man, Children, England
Description
An account of the resource
Lantern slide showing an ice cream cart with man and children on a cobbled street.
Type
The nature or genre of the resource
Image
Format
The file format, physical medium, or dimensions of the resource
82mm x 82mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Business
Cart
Children
Delivery
England
Ice Cream
Man
-
https://collection.fourtoes.co.uk/files/original/a34ac6d6b659ecd91912c14164602c36.jpg
63be6c931861862243b7889f1cc6bcef
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
Stereographs are composed of two pictures mounted next to each other, viewed with a set of lenses known as a stereoscope. Taken around 7cm apart, roughly corresponding to the spacing of the eyes, the left picture represents what the left eye would see, and likewise for the right, so when observing the pictures through a stereoscopic viewer, the pair of photographs converge into a single three-dimensional image.
Title
A name given to the resource
Stereographs
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Stereograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
ST0078
Subject
The topic of the resource
Fur, Store, Canada
Title
A name given to the resource
Laliberte's Fur Parlour, the finest in the world, Quebec, Canada.
Date
A point or period of time associated with an event in the lifecycle of the resource
1894
Creator
An entity primarily responsible for making the resource
Strohmeyer & Wyman
Publisher
An entity responsible for making the resource available
Underwood & Underwood
Type
The nature or genre of the resource
Image
Medium
The material or physical carrier of the resource.
Albumen print
Format
The file format, physical medium, or dimensions of the resource
178 mm x 89 mm
Rights
Information about rights held in and over the resource
Attribution-NonCommercial-ShareAlike
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Pete Spencer, Bolton, UK, Former Owner
Accrual Method
The method by which items are added to a collection.
Gift
Description
An account of the resource
A stereoscopic image of the interior of Laliberts's Fur Parlour, Quebec Canada.
Numerous examples of taxidermy, skins and furs.
Business
Canada
Fur
Store